ELEMENTS

References that expand my field of exploration. The environment we choose to inhabit influences the way we perceive and create. These inputs accumulate over time, shaping a sensitivity and a particular way of observing and filtering. Everyday elements gradually become integrated into the process, eventually becoming part of the language itself.

MEMORY / INTIMACY

A record of what remains close. The architecture of the everyday. Shared silences, familiar spaces, and the presence of others as a continuous support, so that everything else can be held.

SPACES / STUDIO

This record unfolded across different spaces. Over time, I came to prefer working in my own space. Space is the first layer of containment: every studio reflects the way its creator works, and entering one means entering another person’s universe. From this understanding, my own studio emerged — a space that evolved with the creative process and could be shaped according to my needs. These photographs bring together different places where I lived, stayed, or worked — spaces connected to the sketches, recording, editing, mixing, and mastering of this album.

NATURE

Nature appears as a space for attentive listening, and recording becomes a practice of attention: listening to the sounds of the space, the distances, the resonances, the silences, and the accidents. Leaving room for the environment to intervene and transform. In this sense, the organic quality of the record emerges from accepting space as a compositional element. A slower, more porous, and attentive form of listening.

ILLUSTRATION / SYSTEM DESIGN

The record was conceived through an analog approach. Part of the sound was processed on tape using a Revox A77, with digital tools used only when necessary—an approach that also extends to the artwork. The visual universe is handmade by painter Lisa Sellin, who created the illustrations for the three EPs and the album. Her work was integrated into the graphic system by designer Jorge Morales, linking painting and design structure.